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Mentorship Masterclass 1/2

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Susan Tomes coaches the Paddington Trio

Mendelssohn Piano Trio No.1 in D minor

Schubert Piano Trio in E-flat major

Limehouse Room, Kings Place

Open to Observers

  • Tuulia Hero - violin

    Patrick Moriarty - cello

    Stephanie Tang - piano

    The Paddington Trio has quickly emerged as a unique and versatile ensemble. Hailed for their “nuanced and powerful performance” (ROSL News, 18 March 2022), the trio recently won first prize in the 70th Royal Over-Seas League Competition for Strings and Piano Ensemble.

    Committed to thoughtfully curated programming, as well as passionate advocates of new classical music, the Paddington Trio was the first prize winner at the NEW FORMATS Project Prize 2022 in Graz, Austria. In 2021, they won 2nd prize and the jury prize for the Best Interpretation of an Estonian Work at the Tallinn International Piano Chamber Music Competition as well as 1st prize at the Clara Schumann International Competition.

    Their recent performances include concerts at St Mary’s Perivale, Southwark Cathedral, Music-at-Hill Midtown Concert Series, Westminster Music Library and the Milton Court Concert Hall. Upcoming concert highlights in 2022 include Wigmore Hall concerts in May and July, the Otaniemi Chapel Summer Concert Series in Finland and the Creative Oundle International Festival in the UK.

    Having benefited from regular tuition with Adrian Brendel and Caroline Palmer at the Guildhall School of Music and Drama, the trio has received coaching and mentoring from other esteemed chamber musicians, such as Levon Chilingirian, David Dolan, Matthew Jones, Robert Levin, David Waterman, Andrew Watkinson, Marko Ylönen, Terhi Paldanius and Ronan O’Hora. Most recently the trio worked intensively with Thomas Adés at the IMS Prussia Cove’s 50th anniversary.

    Having first arrived separately from Finland (Tuulia Hero, violin), Ireland (Patrick Moriarty, cello) and the USA (Stephanie Tang, piano), the young trio seeks to build a safe haven of chamber music and friendship curated for changing times and audiences.

  • Susan Tomes has won numerous awards as a pianist, both on the concert platform and in the recording studio. She grew up in Edinburgh and was the first woman to take a degree in music at King’s College, Cambridge, when co-education arrived at the college after 400 years. Her career encompasses solo, duo and chamber playing. She has been at the heart of the internationally admired ensembles Domus, the Gaudier Ensemble, and the Florestan Trio, winners of a Royal Philharmonic Society Award. In 2013 she was awarded the Cobbett Medal for her services to chamber music.

    She has made over fifty CDs, many of which have become benchmark recordings. In 2020 during the coronavirus pandemic she was one of the artists invited by the Edinburgh International Festival to record a concert to be relayed through speakers in the trees to an audience in Princes Street Gardens. A few months later she was one of the first artists to perform to a socially distanced live audience in London’s Wigmore Hall, where she has appeared regularly for many years. She has served on many international competition juries and chaired the Piano Trio jury at the ARD International Competition in Munich in 2023.

    Susan is a writer as well as a pianist. For her these activities are intertwined. In both playing and writing she is fired by a wish to understand music, explore its context and convey its meaning to listeners and readers. Her lecture-recitals have given listeners new insight into the music she performs.

    She has written several acclaimed books about performing: Beyond the Notes (2004), A Musician’s Alphabet (2006), Out of Silence (2010), Sleeping in Temples (2014) and Speaking the Piano (2018). Her books are studied on performance practice courses around the English-speaking world and have inspired several PhDs. Her appeal to a diverse readership was demonstrated by her appearances at the 2016 and 2019 Edinburgh International Book Festivals, which attracted large audiences.

    Her sixth book, The Piano: A History in 100 Pieces, was published by Yale University Press in 2021. It was a Book of the Year in The Spectator and the Financial Times, a Presto Music Award winner, a Notable Book of 2021 for the Seminary Co-op Bookstore in Chicago, and a Scottish Book of 2021 in The Scotsman. Her seventh book, Women and the Piano – a History in Fifty Lives, comes out from Yale UP in March 2024. Parallel with writing the book, Susan has started giving recitals of piano music by neglected women pianist-composers whose music has delighted audiences.

    In 2023, Susan was one of fifty women chosen to be photographed for a special exhibition of portraits by award-winning photographer Jooney Woodward to mark 50 years of female undergraduates at King’s College, Cambridge. The exhibition was displayed in King’s College Chapel and will form part of the College’s permanent art collection.

Earlier Event: April 12
Hans Keller Forum Closing Concert
Later Event: April 18
Mentorship Masterclass 2/2